Machado exulted in finding her desire reciprocated “without needing to change a single cell” of who she was. For someone who felt that as a “weird fat girl” she was lucky to be loved at all, the relationship was revelatory. The woman became Machado’s first real girlfriend. Carmen Maria Machado’s In the Dream House is the rare exception.Īs she tells it, when Machado was a young creative writing student in the Midwest, she met another writer, a woman, “rail-thin and androgynous,” who goes unnamed in this account, and the two tumbled into a passionate affair. But once written, memoirs don’t typically call much attention to how their authors struggled to tell the tale-the choices considered and rejected, the perspectives adopted and set aside. Readers expect memoirs to be made of facts, however skillfully those facts are arranged and presented, and facts can be stubbornly uncooperative with our creative designs. Roman Polanski, David Bowie, and a New Solution to the Problem of Art Made by Monstrous MenĮven the most artful memoir lays claim to a certain artlessness. How to Survive a Culling of Fake Historical DocumentsĪ Dishy New History of BuzzFeed and Gawker Leaves Out Half the Story Guess What? This Mystery Story Written by Robots Is Kind of Good!
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